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Each piece is written both in staff notation and followed by tablature, and include technical notes.\u003c\/p\u003e","brand":"Mel Bay","offers":[{"title":"Default Title","offer_id":52876316371,"sku":"boa921","price":17.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1814\/0429\/products\/media-alb-niz-for-acoustic-guitar-1263785246761.jpg?v=1775677846"},{"product_id":"boa995","title":"The Art of Hawaiian Steel Guitar (Book + Online Audio)","description":"\u003cdiv class=\"product_tabcontent_container\"\u003e\n\u003cdiv id=\"product_tabcontent_2\"\u003eThis book is an excellent study of the history and unique musical stylings of the Hawaiian guitar. Stacy Phillips successfully pinpoints the characteristics of Hawaiian guitar solos. A special feature is the inclusion of a superb historical survey of Hawaiian music. Written in tablature only, G tuning. 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Stacy is presenting the 'authentic' style and this is much needed to keep the Hawaiian music alive.\" Includes access to online audio.\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product_pricestatement\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eThe Art of Hawaiian Steel Guitar\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlekoki       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAloha Oe       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCunha Medley       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eE Mame E       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHanohano-E       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe Aloha Noa Honolulu #1       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHe Aloha Noa Honolulu #2       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHilo E       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHilo March #1       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHilo March #2       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHonolulu Bound #1       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHonolulu Bound #2       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHonolulu Stomp       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHue Hue       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHula Blues #1       Johnny Noble And Sonny Cunha \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHula Blues #2       Johnny Noble And Sonny Cunha \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHula Blues #3       Johnny Noble And Sonny Cunha \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHula Medley #1       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHula Medley #2       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIndiana March       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKaua I Ka Huahua'i #1       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKaua I Ka Huahua'i #2       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKaui Kahio       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKe Ahi Kuu Ipo       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKewalo Chimes       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKiho' Alu       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKilima Waltz       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eKohala March       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLa Rosita       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLehua       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLei Ana Ika Makihana       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLei Lehua       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLittle Heaven Of The South Seas #1       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLittle Heaven Of The South Seas #2       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLittle Heaven Of The South Seas #3       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMai Kai No Kauai       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMai Poina Oe Ia'u       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaui Chimes #1       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMaui Chimes #2       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMoana Chimes       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMoani Ke Ala       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNa Ali'i       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNa Lei O Hawaii       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNa Moku Eha       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eNa Pua O Hawaii       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOpihi Moemoe       \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePa' Au' Au Waltz       C. 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They sold in the hundreds of thousands of copies and inspired a generation (and more) of aspiring pickers and singers with their combination of folksongs and the various techniques needed to accompany them.\u003c\/p\u003e \n\n\u003cp\u003eThe Almanac: Unique in the annals of guitar literature, its purpose is to present to the interested reader a body of material relating to the guitar and the guitarist that is generally not touched upon in the usual method books. This material has been drawn from the personal experiences of the author, and it contains advice about choosing, studying and teaching the guitar, as well as discussions about strings, capos, fingernails and other \"accessories after the fact\".\u003c\/p\u003e","brand":"Mel Bay","offers":[{"title":"Default Title","offer_id":52876833811,"sku":"bok561","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1814\/0429\/products\/media-guitarist-s-guide-almanac-1263795372073.jpg?v=1775678118"},{"product_id":"boo311","title":"English Folk Guitar Vol 1","description":"\u003cp\u003e(Accompaniment). 29 songs \u0026amp; accompaniments with tunings, lyrics, in notation \u0026amp; tablature and background info.\u003c\/p\u003e","brand":"Lark in the Morning","offers":[{"title":"Default Title","offer_id":52877123603,"sku":"boo311","price":21.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1814\/0429\/products\/media-english-folk-guitar-vol-1-1263800385577.jpg?v=1775678267"},{"product_id":"boo316","title":"Flamenco Guitar--Basic Techniques","description":"\u003cp\u003eby Serrano. 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This lesson will get you started and Fred's relaxed teaching style makes it easy.\u003c\/p\u003e","brand":"Mel Bay","offers":[{"title":"Default Title","offer_id":52877899667,"sku":"GW417DVD","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1814\/0429\/products\/media-jazz-standards-for-beginners-dvd-1263917727785.jpg?v=1775681132"},{"product_id":"gw510dvd","title":"Music of Bessie Smith DVD","description":"\u003cp\u003eIn the 1920s and 30s, Bessie Smith was the \"Empress of the Blues\". Her passionate singing and performing style and her songwriting influenced all the blues and jazz singers that followed. Many of the songs she popularized, both blues and \"Tin Pan Alley\" tunes, have become standards in blues, jazz, rock and pop music. Songs in this collection have been recorded by artists as diverse as Eric Clapton, Leadbelly, Billie Holiday, Chet Atkins, Bing Crosby, David Lee Roth, Big Bill Broonzy, B. B. King and Sam Cooke. They're great tunes for guitar pickers, and Fred shows you how to back yourself up singing them and how to fingerpick instrumental versions of six classics. With his explanations of the arrangements, split-screen, slowed-down versions of the songs, and with the tab and music in the PDF booklet on the DVD.  You'll learn how to play St. Louis Blues, Nobody Knows You When You're Down and Out, Backwater Blues, After You've Gone, I Ain't Got Nobody, and the sensational Send Me To the Electric Chair. The songs sound terrific on guitar, and with Fred's instruction, the arrangements are easy to follow. A 1920s film of Bessie Smith singing St. Louis Blues is featured at the end of the lesson.\u003c\/p\u003e","brand":"Mel Bay","offers":[{"title":"Default Title","offer_id":52877899795,"sku":"GW510DVD","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1814\/0429\/products\/media-music-of-bessie-smith-dvd-1263917793321.jpg?v=1775681133"},{"product_id":"gw1000dvd","title":"The Music of Louis Armstrong DVD","description":"\u003cp\u003eThis DVD lesson could be titled \u003cem\u003eThe Music of Louis Armstrong for Finger-picking Guitar\u003c\/em\u003e or \u003cem\u003eGary Davis Meets Louis Armstrong\u003c\/em\u003e. Born in 1896, the brilliant Piedmont guitarist Gary Davis came of age in the teens and the twenties. He was in his prime during the Jazz Age and his playing shows it. His guitar style and techniques came out of the twenties. It enabled him to play like a band. His thumb played the rhytmic sections of the band while his index finger soloed over this. Rev. Davis only used his thumb and index fingers to pick. When asked why, he replied with a smile: \"That's all I need!\"\u003c\/p\u003e\n\u003cp\u003eIn Rev. Davis's playing you can hear the drive of Louis Armstrong as well as Louis's bugle call riffs. Rev. Gary Davis's style is made to order to play Louis Armstong tunes on guitar. As I learned most of what I know and do on the guitar from Rev. Gary Davis, this is how I see it and how I have approached arranging the tunes on this DVD lesson.\u003c\/p\u003e\n\u003cp\u003eOnce you find the right key on the guitar, these early jazz masterpieces seem to fall right into place. Putting \"Cornet Chop Suey\" into the key of C, for instance, enables you to play the patented \"Gary Davis Slow Drag G form C run\" throughout as the statement of the initial melody.\u003c\/p\u003e\n\u003cp\u003eThis lesson is over two hours and forty minutes. The arrangements are for the intermediate to advanced players. They are multi-section compositions with lots of fingerpicking challenges. But all your hard work will be very worthwhile as these tunes are some of the greatest in the early jazz repertoire. Ernie teaches phrase by phrase and then uses the split screen so you can carefully study what each hand is doing. Detailed tab\/music booklets are included as PDF files on both DVDs. Tunes include: \"Potato Head Blues,\" \"Basin Street Blues,\" \"Cornet Chop Suey,\" \"Weather Bird,\" and \"It's A Wonderful World.\"\u003c\/p\u003e","brand":"Mel Bay","offers":[{"title":"Default Title","offer_id":52877899859,"sku":"GW1000DVD","price":29.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1814\/0429\/products\/media-the-music-of-louis-armstrong-dvd-1263917826089.jpg?v=1775681133"},{"product_id":"13121dvd","title":"Guitar Artistry of John Fahey DVD","description":"\u003cp\u003eOne of acoustic music's true innovators and eccentrics, John Fahey was a crucial figure in expanding the boundaries of the acoustic guitar over the last few decades. His music was so eclectic that it's arguable whether he should be defined as a \"folk\" artist. In a career that saw him issue several dozen albums, he drew from blues, Native American music, Indian ragas, experimental dissonance, and pop. His good friend Dr. Demento has noted that Fahey \"was the first to demonstrate that the fingerpicking techniques of traditional country and blues steel-string guitar could be used to express a world of non-traditional musical ideas -- harmonies and melodies you'd associate with Bartok, Charles Ives, or maybe the music of India.\" The more meditative aspects of his work foreshadowed new age music, yet Fahey played with a fierce imagination and versatility that outshone any of the guitarists in that category. His idiosyncrasy may have limited him to a cult following, but it also ensured that his work continues to sound fresh.     Fahey was a colorful figure from the time he became an accomplished guitarist in his teens. Already a collector of rare early blues and country music, he made his first album in 1959, ascribing part of it to the pseudonymous \"Blind Joe Death.\" In college, he wrote a thesis on Charley Patton (an exotic subject at the time). Yet Fahey did not perform publicly for money until the mid-1960s, after his third album. Fahey’s early albums for Takoma in the mid-1960s laid out much of the territory he would explore. His instrumentals, filtering numerous genres of music into his own style, evoked haunting and open spaces. At times they could be soothing and plaintive; at other times they were disquieting, even dissonant.\u003c\/p\u003e","brand":"Mel Bay","offers":[{"title":"Default Title","offer_id":52877899923,"sku":"13121DVD","price":24.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1814\/0429\/products\/media-guitar-artistry-of-john-fahey-dvd-1263917858857.jpg?v=1775681135"},{"product_id":"13123dvd","title":"Guitar Artistry of Eric Bibb DVD","description":"\u003cp\u003eEric Bibb was raised in the folk tradition, the son of the folk singer Leon Bibb. Bibb's uncle was the world-famous jazz pianist and composer, John Lewis, part of the Modern Jazz Quartet. Bibb was raised in a music-filled household, as family friends in the 1950s and 1960s included Pete Seeger, Odetta, Bob Dylan, and the late Paul Robeson, who was named Eric’s godfather. Bibb got his first steel guitar at age seven, and he got some advice from Dylan that he never forgot, to \"keep it simple, forget all that fancy stuff.\" When he was 16, his father asked him to play guitar in the house band for his TV talent show, Someone New.     In 1970, Eric left New York City for Paris, where he met with guitarist Mickey Baker. There he began to focus on blues guitar and after moving to Stockholm, he became enamored with prewar blues. A breakout performance at the 1996 London Blues Festival catapulted Eric to a higher level of visibility. Since then he has toured the world, performing at concert halls and major festivals. He has toured with Robert Cray, Keb Mo, Corey Harris and even opened shows for Ray Charles.     Eric earned a Grammy nomination for his collaboration (with Taj Mahal and others) on the children's record, SHAKIN' A TAILFEATHER. His album PAINTING SIGNS was recognized by New Age Voice as a Finalist for Best Folk Album of 2001. He joined Maria Muldaur and Rory Block to record the gospelflavored SISTERS \u0026amp; BROTHERS, and then released FRIENDS, a collection of duets with Taj Mahal, Odetta, and others. He has been nominated for many W.C. Handy Awards in a variety of categories. Eric’s rich and sensitive vocals and lyrics provide a perfect balance to his fine fingerpicking technique. Purveying a beautifully realized and deftly accomplished soulful folk-blues, Eric has no problem blending various genres effortlessly, melding a traditional rootsy American style with a subtle, contemporary sensibility. 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