Lark in the Morning
伝統の変遷 ― フォークミュージックの復活を検証する
伝統の変遷 ― フォークミュージックの復活を検証する
SKU:bok051
受取状況を読み込めませんでした
ニール・ローゼンバーグ編。50年代と60年代の起源から70年代の「ネームド・システム」リバイバル、そして現代に至るまで、「フォーク・リバイバル」を初めて本格的に考察した一冊。フォークシンガーのステレオタイプ、オーセンティシティ(真正性)、集団内における価値観、「ニュー・エステティック」、アウトサイダーの役割など、この幅広いテーマの様々な側面を取り上げている。340ページ。
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I use the Susato Oriole Whistle head with PVC, bamboo, or carbon fiber whistle bodies that I make. The Susato head is precision made and helps my whistles to sound great.
When I first saw the goatskin, I wasn’t sure if it was what I was looking for but I tried it out, it’s pretty much perfect, I make traditional Yupik drums that come from southwest Alaska, in my language, the Yugtun, language we call out drums a cauyaq, and the drum head is traditionally a stomach membrane of a walrus or seal. As someone who lives in modern age, we have contemporary styles and goatskin is one of our contemporary style. For this application it works great.
I read about sistrums in a fantasy adventure book and had to have one! Lark listed one I could afford that combines old crafting techniques with bottle caps! The delivery was quick. I played around with it and was surprised at all the different chimes and riffs it could make. Right now it is displayed with my also-African-made soda can lion. I'm happy!
Nice sound
This was my first ever Hardanger, so I basically wanted a "Squier" version of a Hardanger: an entry level Hardanger to learn on that was new and solid but wouldn't break the bank. This has been pretty much perfect and just what I wanted.I love playing it.