Mel Bay
Guitar Artistry of John Fahey DVD
Guitar Artistry of John Fahey DVD
SKU:13121DVD
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One of acoustic music's true innovators and eccentrics, John Fahey was a crucial figure in expanding the boundaries of the acoustic guitar over the last few decades. His music was so eclectic that it's arguable whether he should be defined as a "folk" artist. In a career that saw him issue several dozen albums, he drew from blues, Native American music, Indian ragas, experimental dissonance, and pop. His good friend Dr. Demento has noted that Fahey "was the first to demonstrate that the fingerpicking techniques of traditional country and blues steel-string guitar could be used to express a world of non-traditional musical ideas -- harmonies and melodies you'd associate with Bartok, Charles Ives, or maybe the music of India." The more meditative aspects of his work foreshadowed new age music, yet Fahey played with a fierce imagination and versatility that outshone any of the guitarists in that category. His idiosyncrasy may have limited him to a cult following, but it also ensured that his work continues to sound fresh. Fahey was a colorful figure from the time he became an accomplished guitarist in his teens. Already a collector of rare early blues and country music, he made his first album in 1959, ascribing part of it to the pseudonymous "Blind Joe Death." In college, he wrote a thesis on Charley Patton (an exotic subject at the time). Yet Fahey did not perform publicly for money until the mid-1960s, after his third album. Fahey’s early albums for Takoma in the mid-1960s laid out much of the territory he would explore. His instrumentals, filtering numerous genres of music into his own style, evoked haunting and open spaces. At times they could be soothing and plaintive; at other times they were disquieting, even dissonant.
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I was looking for the right equipment for my Camac Isolde Celtic harp. I did NOT want to install the Dusty Strings pick-ups- seemed like way too much to add. This little gizmo was easy to install with the little pictures on placement- like, less than five minutes easy. I plugged the pickup into my new Roland Mobile Cube and it’s perfect! I don’t hear any sound distortion, and I think this will be just right when playing background music for noisier environments. Super happy with this!

I was excited to receive this kit. I do have several banjos already; however, I did not have a mountain banjo. I have built gourd banjos and ekontings (I went to Gambia in 2004 and 2007 to learn how to play and make them) from scratch, so I am not a beginner in terms of making instruments. I had a lot of fun putting the kit together. I do have a few observations regarding tips or slight modifications in the instruction manual, if interested.
Thanks!
Paul Sedgwick

I am very happy with the quality of the instrument. I am of Puerto Rican decent and it reminds me of my childhood, watching the musicians and learning to play myself. It is a beautiful guiro and sounds amazing.

It's great to be able to buy a hurdy gurdy in the US without having to wait for 6 months to a year or more. The Aplo is a quality entry level instrument that produces beautiful sound. It resonates very well and there are no buzzes or squeaks. Workmanship is very good. I got mine cottoned, rosined and tuned in a half hour. The transaction was easy and it arrived within a week.
I've been able to play some tunes on it with only a few hours of practice. It's going to be a lot of fun.

I love it, the entonation is really very good (sorry for my bat english).
Regards!